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The Unknown
PG

With live score from Harder Than Concrete
Sun 14 Dec · 15:00

Why watch?

I am beyond excited to be able to present this gorgeous restoration of such a bonkers film, alongside a completely bespoke and original musical instrument and performance by Ben Addison. It's my highlight of the year!

Mosa Mpetha,

Creative Engagement Officer
Weaving desire, obsession, and complex relationships to the body - Tod Browning's The Unknown is one of the most remarkable examples of silent cinema and a must see on the big screen with a very special live musical score
Horror • Dark • Riveting
Part of reRUN
Part of Too Much: Melodrama on Film

Featuring Lon Chaney as circus sideshow act Alonzo the Armless, who performs all of life’s functions with his feet, including throwing knives at his beautiful assistant Nanon (Joan Crawford in a pre-breakout role).

Nanon is disgusted at the touch of a man, so she befriends Alonzo, who poses no such threat. Alonzo pines for Nanon, but must compete with circus strong man Malabar (Norman Kerry), who Alonzo sabotages when he can. As Alonzo grows closer to Nanon he goes to extreme lengths to hide a terrible secret.

This special screening of The Unknown includes the 2023 restoration of Browning's masterpiece to its full length by the George Eastman Museum, with approximately 10 minutes of previously lost shots and sequences taken from a Czech export print in the collection of the National Film Archive in Prague. It will be brought to life thanks to a special score prepared and performed by Harder Than Concrete, Ben Addison's Leeds based musique concretè and electronic music project featuring vintage test equipment, electromechanical instruments, and DIY fairground organs.

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For this event a score has been composed and recorded using this equipment, and these digital recordings will be manipulated manually following a time sheet. Several custom noise generating instruments are in the process of being built to augment this on stage, which will be triggered electronically as part of the score.

On the opening night of Hyde Park Picture House in 1914 a cellist, violinist, and pianist accompanied the silent programme. These instruments have informed the design of the machines, which will use their components to generate sounds mechanically.

You can watch the build process as it happens before the event here:

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Showing as part of our season Too Much: Melodrama on Film - supported by the BFI and Film Hub North. 

Details

Duration
1hr 8mins
Director
Tod Browning
Distributor
Park Circus
Featuring
Joan Crawford • Lon Chaney • Norman Kerry
Year
1927
Country of origin
US
Language
English
Strobe lighting
No
Content guidance
No content warnings identified
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New!
Become a member!  •  Ticket discounts  •  Priority booking  •  10% off Little Whitle Lies  •  Become a member!  •  Free tickets  •  Food & drink discounts  •  Members’ newsletter
New!
Become a member!  •  Ticket discounts  •  Priority booking  •  10% off Little Whitle Lies  •  Become a member!  •  Free tickets  •  Food & drink discounts  •  Members’ newsletter