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Camp de Thiaroye
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One of Sembène’s most celebrated and powerful films, Camp de Thiaroye is a historical and harrowing story honouring the very real fallen heroes of West Africa during World War II. West African troops fought the Nazis and were imprisoned in concentration camps, only to receive on their return to Senegal racist discrimination, unfair pay and for dozens, murder by the French authorities.
This film won the Grand Jury Prize in the 45th Venice International Film Festival, yet it was banned in France for a decade and censored in Senegal.
Last year the young president of Senegal, Mr. Bassirou Diomaye Diakhar Faye, achieved new recognition of this massacre, and a rare acknowledgement from France. Coincidently in time with a brand-new restoration.
Restored by The Film Foundation’s World Cinema Project and Cineteca di Bologna at L’Immagine Ritrovata laboratory in association with the Tunisian Ministry of Culture and the Senegalese Ministry of Culture and Historical Heritage. Special thanks to Mohammed Challouf. Restoration funded by the Hobson/Lucas Family Foundation. This restoration is part of the African Film Heritage Project, an initiative created by The Film Foundation’s World Cinema Project, the Pan African Federation of Filmmakers and UNESCO – in collaboration with Cineteca di Bologna – to help locate, restore, and disseminate African cinema.
We are thrilled to be able to present this seminal film, in partnership with University of Leeds Africa Week, on International Africa Day.
The film will be introduced by our Creative Engagement Officer, Mosa Mpetha, and Dr Kendi Guantai from the University of Leeds.
Group ticket offers for Cinema Africa! Book 4 tickets for the price of 3 or 14 tickets for the price of 10.
Details
“Sembène deeply personalizes it with heroic-flawed characters, lyrical frame-within-frame compositions and intimate-epic scope.”
Scott Foundas
“In the oeuvre of Sembène, the largest figure in the relatively short history of African filmmaking, it is perhaps the work that modulates his passions most evenly: the angry humor of Xala married to the tragic howl of Black Girl.”
Slant Magazine
“His most haunting work, featuring the glorious actor Ibrahima Sane.”
World Film Directors


