Bamako
PG
Mélé is a bar singer and her unemployed husband, Chaka, is sinking into silence. Despite having a daughter, their marriage is gradually falling apart. They live in a house that they share with several families. In the courtyard, a surprising event is taking place: the trial of African civil society against the World Bank and the IMF.
The film mixes a fictional part scripted by Sissako with an improvised trial involving real lawyers, jury members and witnesses. The various 'actors' in the trial have thus developed their own arguments and pleadings, giving an unique artistic and political vision of globalisation and its consequences in the African continent.
Presented on 35mm, the film will be introduced by filmmaker and member of The School of Mutants, Valérie Osouf.
The screening is in partnership with Leeds Arts University and their exhibition: All Fragments of the Word Will Come Back Here to Mend Each Other by The School of Mutants (1 February - 28 March, Blenheim Walk Gallery, 10am - 4pm, Mon-Sat).
Details
“As demonstrated in his previous film, a plangent snapshot of subsistence called "Waiting for Happiness," Sissako is a poet, and the filmmaking in this new picture is stuff of a deserving laureate.”
Boston Globe
“The serious accusations are leavened by the moments of brimming, illogical, intimate neighbourly dailiness the filmmaker also captures with warmth and infectious high spirits.”
Entertainment Weekly
“One reason Bamako feels like a blast of sanity is that the theoretical debates about the state of the world, particularly Africa and more particularly Mali, are only half of its agenda. The other half, broadly speaking, is the life of everyday Africans.”
Chicago Reader