Miroirs No. 3
15
Why watch?
“Nobody weaves together the unsaid and the enigmatic quite as beautifully as German director Christian Petzold. There’s a sense of quiet discomfort in his work that wends its way through the narrative and, ultimately, leaves a bitter aftertaste. Films like Transit, Undine and Afire always place his characters in a world that feels ‘off’, forcing them to navigate the unknown with stoic, taciturn heroism. With long-term collaborator Paula Beer in tow, Miroirs No. 3 follows that pattern in a more intelligible way. In essence, it’s a tactful psychological drama about loss and identity, with two strong women at the heart of it. This film is a great starting point for people who are not familiar with Petzold’s back catalogue and, for fans of his work, an unvarnished continuation of the laconic unease.”
Fran Albrecht,
Cinema Coordinator
On a weekend trip to the countryside, Laura, a piano student from Berlin, miraculously survives an accident. Physically unhurt but deeply shaken, she is taken in by a local woman who witnessed the accident and now cares for Laura with motherly devotion.
When her husband and adult son also give up their initial resistance to Laura's presence, the four of them slowly build up some family-like routine and spend some days of happiness together. But soon they can no longer ignore their past, and Laura has to come to terms with her own life.
Details
“Miraculously soothing...feels opulent in its caring and contains exactly the right amount of disquiet to keep the suspense of what it is we are actually watching”
Eye For Film
“A Masterful Film. Paula Beer is, as always, magnificent”
Screen Anarchy
“This is a work that is mellifluous, melodious and mysterious in equal measure.”
Little White Lies